109 W 5th Street

In preparing for an art show downtown, I had the idea to paint the window with the logo from the book. The idea I had was a simple 'masking' method using tape, exacto knives and rollers.

With the image penciled reverse on the tape, I used exacto knifes to cut the letters out. When these were cut out, I went ahead and used a paint roller on the window.

A concern I had was having the paint be able to easily come off of the window eventually. I used a water based paint with this in mind. The problem was before our eyes, we watched the tape start to buckle and bleed. The stencil hadn't help up:

After letting it dry, and peeling the tape. I saw that this was in fact salvagable, and just used a razor blade to 'clean up' the bleeds on all of the letters. The final result (aside from the crooked 'G') seemed to work.

Joel Loya

I just ran into Joel last weekend (after 10 years). It reminded me of all of the great illustration Joel had put together. Being an illustrator, it's not hard to be reminded constantly of your influences over the years. One of mine was Joel Loya, who was a good friend during my teenage years.
He had an incredible artistic sense that was a bit contagious and made me really revisit and revise my work rather than settle for less. We worked together on a couple of zines that dealt mostly on our musical tastes at the time.

Joel featured a comic strip in every issue. The first strip was called Boing which featured skinheads and rockers battling it out in a post-apocalyptic setting, and traveling around on large hippity hops. The second strip was called Chuck Henrey- Dishwasher For Life. It was a pretty brilliant strip as it featured his character, put into the basic storylines of Charles Bukowski.

Joel was also the first one of my friends who actually had done professional work. At age 16 he illustrated an album cover by legendary Santa Cruz punk band Bl'ast. Some of his artwork featured a character named Uncle Meatknuckles, who served as a sort of mascot for us.

Joel went on to do numerous illustrations over the years for other magazines and some album artwork as well. I'm not to sure if he pursued it professionally full time, but, there's a large collection of his art scattered here and there, and, he continues to be a huge inspiration to this day (I'm still copying the guy!). Recently, he created the cover art as well as a comic book for the packaging of the Swingin Utters Live LP, Live In A Dive!

NIneteen Eighty Five Mix Vol.1

When I decided to put together a 'soundtrack' mix for the book, I had a dozen or so songs in mind. Mostly stuff that not only I was listening to at the time, or taping off of the local radio show, but music that you heard just walking down the street. When presenting any 'music of the day', it's important to list what everyone else was listening to, as opposed to just what YOU liked (though some of the tracks on here are a bit before or after 85!).

This was the particular 'beta' mix I'd put together in SoundStudio, before PBW so graciously compiled the mix that's featured in the book now.

Download it HERE:

Nuance- Take A Chance
Scratch Masters Jam Volume #5
UTFO- Roxannes Back Side
George Clinton- Do Fries Go With That Shake?
Bad Boys- Bad Boys
Cherelle- Like I Will (Tokyo Mix)
Doug E Fresh- The Show
Paul Hardcatsle- Rain Forest
Chuck Chill Out- Hip Hop On Wax Vol.1
Mantronix- Needle To The Groove
Beastie Boys- Beastie Groove
Animation- Obsession
Russell Rush- Cold Chillin' In The Spot
Atlantic Starr- Freak-A-Ristic
Tommy Boy Megamix

Rennes Chateau

A new print that was finished has the Nineteen Eighty Five characters surveying the side of a bridge overpass. A sketch was made, and from there, key line inks. The bridge lines needed the aid of a computer as the angle was tricky. Once I had a color rough nailed down, I finally added them to the inked drawing.

The composition itself was inspired/borrowed from "The Arcadian Shepherds" by Nicolas Poussin (1637). It's said that the tomb depicted here is the actual burial site of Mary Magdeline in southern France.

Food Landscapes

Some new title work has me scouring for food imagery, and creating landscapes out of them. Hills made of lettuce and houses made of bread. I've even included some wild 'roast chickens' in there for good measure.

Usually food related imagery requires use of warm tones, especially reds and browns (think of all the fast food places with those colors). Blues and greens are usually a no-no. Considering I was asked to make things as 'lush' as possible, some blue sky was added.

Stones Throw Video Podcast

The theme here is all green screen videos. Some pretty classic stuff here!

Nineteen Eighty Five

If you've noticed by now, there's a new image on the left over there. That's the result of about 5 months of work, the first volume of Nineteen Eighty Five is finished and printed. I had the idea a few years ago to recount my days of writing on walls in a graphic novel form, and finally got around to putting it on paper last winter.

Self publishing has gotten a lot easier, and with online services like Lulu, the results can be near professional press quality. Usually a sign of shoddy printing is the consistency of the black ink on the page, and they use a method that makes the printing as consistent as you'd get from an offset press.

This is looking to be a series of 40 page books, that'll probably take me into 'Nineteen Eighty Six', 'Nineteen Eighty Seven', etc. I had so much fun putting together Vol. 1, that, Vol. 2 is now in the works.